The 19th-Century image of the femme fatale was largely shaped by the Pre-Raphaelites in images such as Edward Burne Jones' The Beguiling of Merlin (1872-77) or Dante Gabriel Rossetti's Lady Lilith (1866-68). The latter sees the disobedient first wife of Adam transformed into a vain bohemian beauty admiring her luscious locks in a hand mirror.
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